Fabric painting adds utility in every artsy undertaking. It is equipped with fabulous ideas, and some assorted paints, one can easily turn fallowed and idle clothing into usable apparel. This kind does not discriminate against un-artists.

Anybody can be a fabric painter because however you do it, it can be identified as your own. Colors may differ from the textile used as a canvas. Choose a color that compliments with the shirt color.

Alternatively, you may want to experiment with colors to depict a contrasting theme. Usually, cotton or polyester cloths are ideal. Since fabric painting is more personalized, you are at liberty to accentuate the fabric with rhinestones, beads or sequins. Unlike other panting, fabric painting involve distinctive material such as the Shiva because the oil content in these paints have less acid and tart, hence dries fast.

A known progression in fabric painting is the combing technique. This will help beginners create patterns and designs. To do it, apply small sections of paint onto the fabric, then immediately eliminate the paint and let it dry and get spirals and swirls. To prevent muddle, begin painting from top to the bottom.

For a natural look, get some leaves and place it on the foil, vein side up. Paint the leaf and place it on the textile framework. Press the leaf on the fabric, lift it for an awe-inspiring work of art.

Kids not exempt from being fabric painters because simple materials such as watercolors can be used. It gives a faint and fine result ideal for natural design such as floral and innate objects.

The thickness and volume of the color depend on the quantity of water added with the watercolor. It is advisable to use equal amounts of paint and water. To take away the mistakes in your painting, use acetone, rubbing alcohol, or wet cloth.

However, before doing it, test dry first on another cloth of the same kind because it might peel off the cloth.

The famous batik is a form of painting fabric. To do this is just easy as one, two, and three. Combine at least three colors and you must have a stencil. Cut the stencil, peel, and arrange it on the surface of the fabric.

Apply pressure on the stencil to prevent the paint from percolating in different areas. Remove the stencil and let it dry. For an effective outcome in this painting use the silk painting technique.

This is done by sketching out a design in a fabric while toning the spaces with any color. In the sun painting technique, humidify the fabric first, and dilute the paint into water. Apply the paint onto the fabric and let it dry either through sunlight or a heat lamp.

In order to achieve some spotty designs on the wok of art, add salt on the dampened fabric, preferably the larger grains of salt.

If it is dried up, it will leave spots because the moist fabric sucks up the salt, while sprinkling alcohol on the paint gives a darker upon the painting. This painting yields awe- inspiring result out of simple things.

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Fabric painting is the most customized work of art. The artist is at liberty to use as canvas any textile and for whatever purpose, whether a towel, apron, or casual attire, you can fit it in with a fabric painting.

Ideally, cotton fabrics will be used in this variety of painting and importantly, it must not be loosely weaved for it will percolate in other threads, giving you a staggered, smeared painting.

When you start putting your paintbrush on the cloth, the water-based paint starts to spread over the cloth, that is why, 100% cotton is recommended because it immediately absorbs, and the design then becomes stable.

Due to the tendency to spread over the cloth, you can coat the initial paint with a primer and allow it to dry. The effect of which is that it is, as if there are no threads and spaces with which it can spread. It works like a paper.

First wash the fabric you wish to paint on in order to prevent wrinkling in the surface, it might be difficult to paint on it. It is advisable to dampen the cloth so that it will be vivid which colors are best applied in it.

Dampening the cloth will hearten the flowing of colors. Like any other painting, stenciling is always necessary, if not, best. A slick fabric print is specially designed to give and burnished and glistened appearance, while a puffy fabric paint gives you the embossed result on the cloth.

Dampen cloth and sprinkle colored paints in indiscriminate manner in areas you prefer to be painted. Speed up the drying of the paint by dry-blowing it.

Until it is dry, spray water all over the cloth and apply the second layer of colored paint. In this stage, you can already apply the rock salts or alcohol to give you dark spots and stronger edges.

You can be creative in the artwork by using other objects in stamping off on the cloth. Leaves, grains, sponges may be used in order to give the design you want. Leaves are the most common.

All you have to do is paint the leaf and place it on the cloth until it leaves a mark on the fabric. If you are working on a t-shirt, place a cardboard under the first leaf of fabric to prevent the paint from being contaminated in the other parts of the shirt, and from sticking on it.

Marbling is one good technique in fabric painting. It is done by sprinkling considerable amounts of paint, allowing the paint to drift on the cloth. The artist is free to move the foundation or the cloth in either direction creating an abstract design.

Use it with a combination of brilliant colors to give it a festive look. Dye Painting is a more popular technique in fabric painting. Dye may directly be applied on the fabric, or you may opt to dissolve it first in water before it is applied on the cloth.

To give the dye a paint-like outcome, thicken it with an insoluble colloidal acid.

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Acrylic paints are known to be fast-drying paints. This lends credence to the quickest hands. Therefore, it is necessary that the artist must have a general layout before starting in order to mix and match colors faster.

However, to increase the number of working hours, you may dampen paper.

Acrylic painting is not vulnerable to different and easy techniques due to its easy-drying component. To solve this predicament, you thin the acrylic paint by adding more than 30% water to it.

Acrylic retarded are composed of glycol additives, so acrylic painting becomes workable until it is totally dried up. When the acrylic paint dries up, it becomes permanent and addition of water will not re-soluble.

Acrylic paints are more flexible on whatever working at environment it is in. It can be made on a canvas, fabric, wood, or paper. However, with respect to wood surfaces, because it is porous, it needs to be primed first.

However, aesthetically, it works at advantage on a transparent surface. Instead of using the conventional paintbrush, explore beyond the bounds of painting by sprinkling or pouring the paint on one area and incline and tip it on different directions.

Combine as many colors as possible, but if you prefer simple colors, do it in one or two colors. It is not impossible to create a realistic image using acrylic paints. The best thing to do to arrive at this reflection is to brush light paint onto the surface. Because it is light, it creates a supple and elastic feature.

It will likewise reveal the lower layers. For a watery texture, what need to be added is a sufficient amount of water. The less amount of water added, the thicker it will appear.

While acrylic painting tends to put off and deject color mixing, it nevertheless is the most permanent painting.

It cannot be subjected to any discoloration until after 50 years, contrary to other types of painting. Being the newest painting variety, it is not restricted to the conventional mediums of painting.

It welcomes other foreign objects such as chalk or charcoal above and beyond the acrylic paints, not to mention sand, sequins, or pasta. However difficult is the application of paint, many artists favor its usage due to its versatility. It can be applied thickly for a strong exterior or in glazes to mimic an original view.

Other painting media can be used to add texture, or flexibility of the acrylic painting. Examples of another medium used are varnishes and topcoats to make the painting glossy and lustrous.

These paints can also be used in matte after coats. The top layer scratching technique is one of a kind in this kind of painting. It includes scratching the semi-wet layer of paint in order to expose the color underneath.

This is unique because while a dominant color is present in one area, it does not rule out other colors mixed in the same area.

This is specially designed due to the vulnerability of the paint easy-drying which makes it impossible to easily mix and match the colors.

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Watercolor painting belongs to what is referred to as the water media. This kind of art media refers to any paintings that use water as a solvent painting.

For those interested to try out this painting art, there are basic information that one must have a grasp of.

One must have basic knowledge about paints, brushes, papers, brush control and basic techniques.

But for now, the urgent things to know are paints and brushes which would be outlined here.

The Paints. A set of paints usually comprises of colorants, binder, additives, and solvent paints.

The colorants are usually un-organic or organic compounds mixed with water soluble substances that produce the pigments. In order to hold or bind these pigments in a form of a suspension that would fix into the surface, the binder is needed.

Also, the paint may be too dark or too sticky that a solvent paint may be applied to dilute the paint for easy application and hasten drying which in watercolor painting is usually water.

Then to change the durability or gluey to a desired mixture, the additives provide the solution.

The Brushes. There are three main parts of the brush which consists of the hairs or synthetic fibers bundled together called the tuft, the metal bundle that holds the tuft which provides shape, support and protection between the wood handle and the tuft, called the ferrule, and the handle.

In choosing the right brush for watercolor painting, take note of the softness and the density of the brush. It is suggested to use soft brushes with denser tufts because these paints are typically less thick and less gluey than oils or acrylic paints.

Likewise, the best watercolor paint brushes are those which are made from animal hairs of squirrels, mongoose and are sable.

Brushes made from hairs of our animals such as pigs or horses may be used but only for coarse watercolor art works. Nonetheless, technology has allowed many artists to make use of synthetic brushes made of nylon to hold water in the same way as animal brushes do with more strength, texture, durability and affordability.

There are also different forms of brushes such as the rounds, the fans, the flats, the filbert, the mops and the rigger. For general purposes, the rounds are the best picks since these produce as many shapes and lines both narrow and thin.

The flats are best for making wash effects but do make sure you choose those with perfect straight edges.

The fans are basically sort of flat brushes with the fan shape which are best for making textures like irregular lines. The filberts are hybrid of the rounds and the flats which are used for shaped strokes. The mops are excellent for wash and wet painting since these can hold much paint.

The Paper or Surface. The paper has many attributes and among a few are the color, the furnish, the finish, the size, the permanence and the weight. The furnish of the paper generally refers to the content or the material make-up of the paper.

The most common of course are made of cellulose taken from plants such as cotton and those from wood pulp extractions which can be machined extracted or handmade.

The finish of the papers is usually grouped into hot pressed, cold pressed and rough. Cold pressed papers are those dried with the use of absorbent blankets made of felt and have great versatility. The hot pressed papers are those which originally were processed through the cold pressed process but passed to calendaring or heating to give it a un absorbent quality which allows the paint to remain as bright and was colorful in the surface of the paper.

The rough papers are lofting dried papers which are generally of wove texture which make those best for textured paintings with watercolor. The colors of paper are pure white to be yellowish.

Watercolor painting would be great by learning how to make use of the right paint, the right brush and the right paper for a particular watercolor work.

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Watercolor painting is not only interesting but also challenging for it requires great skill and knowledge of the quality of water to understand how water and color form an art.

Mixing color and water may look simple, but it is not; for techniques in watercolor painting are typical only to this medium.

Oil and acrylic paints for instance have the quality of being able to stay exactly where these are applied unlike water which is complex and active that one must have a good understanding of the how water behaves and how to control it. Also, watercolor paints have less hiding capacities that a wrong stroke cannot just be easily covered by another stroke. The paper as well unlike the canvass is too delicate as make mistakes often irreversible.

Though brushes provide the traditional medium to apply the paints, modern experimental paintings have made use of other media such as scrapers, sponges, sprayers, and even sticks.

Most of these media also work in various ways depending on the watercolor technique one uses. Among the common techniques are the glazes, the dry brush, the washes, and the wet and wet. The glaze technique is done by applying a layer of paint or water with the outer layer in a more diluted color to allow the inner layer color to be visible.

In this technique, it is suggested that one makes use of a round brush. With the surface of the paper, one paints, it with the first layer of paint which is highly diluted to loosen up the surface of the paper. When the first layer is dry, a second layer of paint is applied thereby refining the first color and eliminating irregularities and an artist can apply as many as 100 glazes to illuminate colors.

The dry brush technique requires great precision and control which is predominant in most botanical paintings. An undiluted paint is taken up with the use of a small moistened brush.

The paint is then applied to the paper surface by crisscrossing or hatching brushstrokes with the intention to mix the color paints trough a precise touch on the surface. Often, after dry brush watercolors are applied, the surface is varnished to enhance it.

The wash is a technique which makes use of diluted paint wipe out individual strokes and form a unified stroke which is often used in landscape paintings where one has for its background the horizon in blue wash.

In making the wash stroke, make every stroke even and horizontal and each overlaps the stroke above to get excess paints and wick it with a moist brush or a paper towel.

To make graduated from wash strokes, dilute the paint after every stroke to make a dark to light finish. Lastly, there is also the wet and wet technique or the application of paint over a previously painted area.

Among the effects of the applications are the back runs in which the addition of paint in a paint area causes the surrounding areas which are denser with water or paint to creep to it. The salt texture is one where the sprinkled salt tends to produce the impression of snowflake.

There are many more techniques to learn about watercolor painting depending on ones skill and control.

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